M. Tanabandeh and H. Seyyedi acknowledges receiving the Orizzonti Award for Best Actor and Best Film for “World War III”
I am still a tad bit dazed after watching Houman Seyyedi’s Jang-Jahani Sevom, AKA World War III. Mostly because it excelled at subverting the expectations game that most audiences play. The English title “World War III” is eye-grabbing, without question, with your instincts raring for a movie delving into a fictionalized future war, a science fiction parable to be exact. But as you browse through the synopsis of World War III, you as a viewer are led to believe that you would see a day laborer working on production for a World War II movie while simultaneously sheltering his secret lover. That should kindle your interest, especially if your interests align with mine regarding filmmaking dealing with meta-narrative or Russian doll methodologies of storytelling.