Maryam Rajavi’s New Movements in France: Growing Controversy, Declining Support, and the Debate Over the NCRI’s Legitimacy

Media Strategy and Image Control

The Auvers-sur-Oise event also showcased the NCRI’s sophisticated media strategy. Carefully staged visuals—such as Rajavi viewing portraits of executed prisoners—are designed to evoke emotional responses and reinforce the narrative of resistance and sacrifice.

These images are widely distributed through:

• International photo agencies
• Social media channels
• Advocacy networks

While effective in shaping perception abroad, critics argue that this approach prioritizes optics over substance.

Financial Transparency and Funding Questions

Another recurring issue is the question of funding. Large-scale events in Auvers-sur-Oise and other European locations require significant financial resources.

Critics have asked:

• Who funds these international conferences?
• How are resources allocated within the organization?
• What level of financial transparency exists?

The NCRI has stated that it relies on donations from supporters, particularly within the Iranian diaspora. However, the lack of detailed public financial disclosures has led to ongoing speculation.

For many observers, transparency in funding is a key factor in evaluating the credibility of any political movement.