The Propaganda and Political Symbolism of Shahram Goodarzi: An In-Depth Analysis of Art, National Identity

The Cyrus Statue as a Propaganda Tool

Design and Artistic Choices

Goodarzi’s depiction of Cyrus emphasizes physical strength, vitality, and action—qualities associated with heroism and resilience. The muscular form and dynamic pose evoke an image of an active, fighting leader, contrasting with the typical static, divine portrayal of ancient kings.

The inclusion of symbols like the prism and the heart-shaped lock introduces modern narratives into the ancient figure. The prism could symbolize enlightenment, knowledge, or transparency, while the Babylonian lock might represent cultural unity or the sovereignty of the Iranian nation over historical legacies.

Symbolism and Political Messaging

The statue’s design and symbolism function as a visual rhetoric asserting Iranian resilience, pride, and sovereignty. By emphasizing a muscular, active Cyrus, Goodarzi aligns with contemporary narratives of strength and resistance against foreign intervention—particularly in a geopolitical climate where Iran faces sanctions, diplomatic isolation, and internal social tensions.

Furthermore, the statue’s modern elements serve to connect Iran’s ancient heritage with its current political aspirations, suggesting continuity and resilience. The use of heroic nudity, reminiscent of Greek art, symbolizes strength and heroism—values often associated with revolutionary and nationalist ideals.

Public Reception and Media Portrayal

The statue has garnered mixed reactions. Supporters praise it as a patriotic masterpiece that revitalizes Iran’s historical pride. Critics, however, dismiss it as a kitschy or politicized spectacle, and some speculate it may serve state propaganda purposes—either intentionally or as a byproduct of nationalist fervor.

Media outlets, both domestic and international, have highlighted the statue’s grandeur, with some framing it as a symbol of Iranian resilience, while others critique it as an ostentatious display of nationalism or even propaganda.

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September 20, 2025 | 3:01 pm