The Propaganda and Political Symbolism of Shahram Goodarzi: An In-Depth Analysis of Art, National Identity

The Historical and Cultural Context of Art as Propaganda in Iran

Iran’s history is replete with examples where art has served as a conduit for political messages. From the ancient Persian reliefs and monumental architecture to the modern revolutionary posters, art has been utilized to reinforce state ideology, celebrate cultural heritage, or critique authority.

Ancient Persia and the Use of Monuments

Ancient Persian empires, notably the Achaemenids, employed monumental architecture—such as the grand palaces at Persepolis and the bas-reliefs depicting kings and divine figures—to project power, divine authority, and legitimacy. These structures served both religious and political functions, shaping collective memory and asserting sovereignty.

The Islamic Era and Artistic Constraints

With the advent of Islam, the depiction of divine figures became taboo, leading to emphasis on calligraphy, geometric patterns, and architecture. Yet, rulers continued to utilize art for political propaganda—most notably during the Safavid period, where royal portraits and symbolic motifs reinforced dynastic legitimacy.

Modern Revolutionary Art

The 20th-century Iranian Revolution marked a turning point, where art was harnessed as a tool for mobilization and ideological dissemination. Posters, murals, and sculptures became symbols of resistance, nationalism, and revolutionary fervor, often emphasizing themes of sacrifice, unity, and resistance against foreign influence.

Contemporary Use of Art for Nationalism and Propaganda

Today, the Iranian state continues to leverage art and symbolism to foster national pride and political legitimacy. Monuments, national holidays, and public artworks serve to reinforce collective identity, often intertwined with political narratives that seek to legitimize the current regime.

September 20, 2025 | 3:01 pm