Mojgan Shajarian Addresses Judgments: Unveiling Her Artistic Journey

Despite facing unique challenges within the realm of music, including restrictions on women’s voices in Iranian albums, Mojgan remains undeterred. Her independent album, “Arghavan,” released in April 2019, stands as a bold declaration of artistic autonomy. Composed by Sorena Sefati and featuring the works of esteemed poets, the album weaves a narrative that transcends geographical and cultural boundaries.

The decision to make “Arghavan” available for free online speaks volumes about Mojgan’s commitment to sharing her art with a global audience despite the restrictive artistic landscape in Iran. This act is not merely an assertion of individuality but a collective stand against the limitations imposed by societal norms.

As Mojgan Shajarian’s artistic journey unfolds, it becomes more than just a personal narrative. It transforms into a beacon of inspiration for artists worldwide who grapple with restrictions on creative expression. Mojgan’s story serves as a testament to the enduring power of art to transcend barriers, tell universal stories, and inspire change.

Shajarian started his singing career in 1959 at Radio Khorasan, rising to prominence in the 1960s with his distinct singing style. His main teachers were Ahmad Ebadi, Esmaeil Mehrtash, Abdollah Davami, and Nour-Ali Boroumand. He also learned the vocal styles of singers from previous generations, including Reza Gholi Mirza Zelli, Fariborz Manouchehri, Ghamar Molouk Vaziri, Eghbal Azar, and Taj Isfahani. He has cited legendary Persian tar soloist Jalil Shahnaz as highly influential to his development, indicating that he has often tried to mimic Shahnaz’s playing style in his singing.

September 26, 2021 | 6:50 pm