The Propaganda and Political Symbolism of Shahram Goodarzi: An In-Depth Analysis of Art, National Identity

Conclusion

Shahram Goodarzi’s symbolic acts—his monumental statue of Cyrus, his pilgrimage, and his public persona—embody a complex form of propaganda rooted in Iran’s rich cultural history. They serve to evoke patriotic sentiments, reinforce national identity, and potentially influence political discourse.

However, the line between genuine artistic expression and political manipulation remains fuzzy. In Iran’s socio-political context, art is often a battleground for narratives—both state-sponsored and independent—shaping perceptions of history, culture, and resistance.

Goodarzi’s activities highlight the enduring power of symbols in shaping collective memory and political identity. Whether viewed as a hero or a spectacle, his actions reveal the strategic deployment of art as a tool of social and political influence—an enduring legacy of Iran’s complex relationship with its past and present.